(CNN)Picture the Appalachian Trail in California, or the Camino de Santiago in Spain.
(CNN)Picture the Appalachian Trail in California, or the Camino de Santiago in Spain.
“This thrilling book delivers a violent tale that is ultimately as surprising as it is gruesome.” Kirkus Review Sayer didn’t expect his life to go any further than wherever his wealthy clients told him to drive to, until he worked for Diana Westcherry. The young, beautiful, epileptic woman stubbornly imposes her kindness on Sayer, exposing a life that could’ve been, if she’d been his mother. Through Diana, Sayer learns that nothing determines a man’s life more than the mother he was born from. And when drug fiends murder her for purse change, Sayer will slaughter all of them to immortalize her, the mother he was denied. But knowing now that the greatest gift a father could give his child is choosing the mother of his child, he abducts Amanda to create the child he was supposed to be. Rage and Mercy is the story of Amanda and Sayer. Amanda is a born again Christian on a mission to shepherd lost souls to God. Sayer is her black kidnapper, determined to give his future child the white, Christian mother he never had. While there is nothing Sayer wouldn’t do for his future child, Amanda must discover if she can endure impossible horrors to prove that no child of God is beyond redemption.
4.5 Stars San Francisco Book Review
Scott Dresden’s Rage and Mercy: Part One is an intricate fictional work that will engross a reader’s attention start to finish. The murder of Diana, a young, virtuous woman, triggers Sayer, her former driver to embark on the systematic extermination of an unwanted population of drug addicts, referred to as “fiends.” The novel follows Sayer, Diana, Norris, and Adams, the detectives investigating the murders, Margot, a photographer who stumbles across the story, and Amanda, an entwined acquaintance of Diana. Reflective one-liners pop up throughout the narrative, offering thought-provoking concepts, such as “’Catch the devil before you cuff the suspect’” and “’…the most consequential decision a father can ever make for his child is to choose the mother who bears it, and the best fathers do not ask permission or apologize for what they do for their children. I became wealthier than nearly everyone by yielding to no one but my family.’”
Each chapter incorporates another layer to titillate and enthrall readers. Dresden’s work requires a mature audience to appreciate and comprehend the graphic material woven throughout the novel. Dresden boldly engages the themes of rape and murder in a very candid, up-front manner, while avoiding the tendency of some authors to romanticize the acts. Moreover, he considers these themes through the lens of motherhood in a manner not typically utilized. Readers will have to decide for themselves the character, composition, and impact of a “good” mother. Situations like this arise throughout the narrative, encouraging readers to reconsider self-determined truths, like where the boundary between good and evil truly falls. Readers may find themselves sympathizing with, or even rooting for, the vigilante as he tries to avenge the honorable life stolen before its time.
Rage and Mercy: Part One will leave readers on the each of their seats anxiously awaiting the next installment of Dresden’s premier work. Clearly identified as Part One, the novel leaves many questions unanswered at the close of the first installment. How deep into the story will Margot probe? What will happen to Amanda after she escapes captivity? Will Sayer walk away before his vendetta consumes him? We can only hope Scott Dresden does not delay. Rage and Mercy: Part One weaves an elaborate narrative of deceit, desire, hope, and destruction that many readers will instantaneously begin again. Ideal for sunny days at the beach or stormy nights with some popcorn, this book will prove an excellent addition to any adult’s reading list.
Amazon Link – http://amzn.to/2rOUTG3
Unsung heroes and murderous villains, hidden forever in ancient shadows, now leap to life – blazing onto the pages of revelation. Gideon, a lowly woodcutter, is blessed by an angel to be the savior of all Israel. He does not know why or how and shrinks from this dangerous mission. The commandment to conquer the Midian Empire as one man seems all but impossible. But Gideon’s confidence grows as God guides his every step until he stands fearless and faithfully fulfills his destiny as, “A mighty man of valor.” The fierce warriors, burning towers and devastated cities contained in Gideon’s Journey, are but silver threads that weave into a sweeping tapestry of ancient intrigue. Running through and stitching together the entire saga is The Lord of the Covenant, or The Baal-Berith, also known as Gideon’s mysterious Ephod of Gold.
Manhattan Book Review – 4 Stars
Barak’s chances of winning the battle of Mount Tabor were slim, very slim. Back in the middle of the 12th century BCE, the Midian Empire with its far larger and stronger army would surely whip the Israelite forces. Then, divine intervention for the worshipers of Adonai, the one God: a mega-storm suddenly appears on the horizon, torrential rain churns up the dusty plain. The idol-worshiping Sisera’s horse-drawn chariots are stuck in the mud and vanquished.
Ganci’s retelling of the biblical Book of Judges is a page-turner. Generals and kings highlighted in the book’s five sections leap off the pages of the Old Testament, usually acknowledged as a collection of rules and extraordinarily long lists of names.
While the author’s forward suggests the realm of science-fiction, within a handful of pages the saga’s origin is revealed. After Barak’s demise, his successor, Gideon, the title’s namesake, takes on leadership of the Israelites. Gideon is a complex character. Physically almost a head and shoulders higher than the other “pesky Israelites,” (Joseph Ganci has a wonderful turn of phrase), he is humble and lacks self-confidence, characteristics which enhance his appeal. Hopefully it is not sacrilegious to compare him with Kirk Douglas in his heyday. He falls deeply in love with Drumah, despite being forbidden to consort with a daughter of the Canaanite enemy. After he “harvest[s] the fruit of her passion” and she spends time hidden in a cave, eventually the rules are bent and she becomes his concubine.
Gideon’s strength and reputation swell until, when he dies, he is mourned by his seventy sons. Abimelech takes the reins. He is emphatically not a chip off the old block, a thoroughly nasty bit of work who kills all but his youngest brother (who escapes) and tries to unite in one kingdom both the idol-worshipers and the Israelites, an absolute travesty.
This is ancient history from a twenty-first century perspective. And it works! Once Abimelech is decapitated, the story accelerates. Further intrigue culminates with the leadership of Eli, the young high priest, who takes the reader from the final pages of the Book of Judges to the first Book of Samuel.
Dan “Tito” Davis comes from a town in South Dakota that’s so small everyone knows their neighbor’s cat’s name. But once he got out, he made some noise. While at the University of Nevada-Las Vegas, he started manufacturing White Crosses, aka speed, and soon had the Banditos Motorcycle Club distributing ten million pills a week. After serving a nickel, he got into the weed game, but just when he got going, he was set up by a childhood friend. Facing thirty years, Davis slipped into Mexico, not knowing a word of Spanish, which began a thirteen-year odyssey that led him to an underground hideout for a MedellIn cartel, through the jungles of the Darien Gap, the middle of Mumbai’s madness, and much more.
5 Stars San Francisco Book Review – http://sanfranciscobookreview.com/product/gringo/
Speed is of the essence in our modern age of fast-swipe online dating. So much so that the process of swiping, matching, and chatting can feel like a race to to that great (or not so great, depending) finish line we call a date.
But a brand new dating app wants people to take things slow real slow, in fact using the ancient art of conversation to seduce matches. It’s pretty groundbreaking stuff for those getting by with the odd “DTF?” message on Tinder.
Appetence, which is free to download on iOS from the iTunes store and claims to be the world’s first “slow dating” app, forces users to talk to each other before they can see each other’s profile pictures.
How so? Upon downloading the app, users are asked to select a bunch of their interests and tastes relating to music, gastronomy, movies, TV, books, and even pets. The app’s “slow matchmaking” algorithm then shows you compatible profiles based on your interests and search settings.
Unlike Tinder, Bumble, and basically every other dating app out there, the app won’t just show you photos of your match. You have to earn that privilege by talking to them. When you first start conversing with your match, your profile photo appears entirely covered by a pattern.
As you chat with your match you have the opportunity to like the messages or “encounters” they send you. The more you like, the more pieces of your profile photo are revealed. But it’s not easy. Your match needs 50 likes in order to see your full profile photo. And you, in return, need 50 likes to see theirs. Which means you’ll both need to have some serious banter.
This slow approach to dating is certainly novel in a world where speedy swipes are based largely on profile photos, and you can kind of see the point: “Unfortunately, our society today promotes relationships with increasingly fragile ties. ‘Fast Dating’ has made many women and men tired of not feeling special,” says Appetence founder Camilla Forsell.
“The conversations have become monotonous and similar, and having a ‘Match’ is no longer as exciting as the first few times,” Forsell continues, adding that she wants people to “seduce” one another using just “their way with words.” Hmmm.
But, the real question is: Do people really have the time and patience to invest in a protracted conversation with someone you might not actually fancy? In the age of fast swiping, most of us just want to get in and get out of dating apps as soon as possible. And for most of us, actually seeing someone is part of that equation.
Story Summary: We all know a Paul. A person who seems to see stuff that isn’t there. The type the polite call quirky and the blunt call nuts. Conspiracies? He’s got a few. He’s got his finger on how the world really works. He knows what kind of shit is coming down the pipe. Flee across the West Texas desert to Mexico? Makes sense to him. Feel like you’re being watched? You bet your ass someone is watching. Best turn off your cell phone. Troubles? Of course, that’s just part of life. Doubts? No time for doubts. Shit is getting real. Get in, buckle up, crack open a beer. The only real question is, how far down the rabbit hole are you willing to follow? Paul is an every man gone off the rails. Fearing the tightening noose of government surveillance he sets out with his family on a twisting psychological jaunt to break free of society’s restrictions, no matter what the cost. Hero and villain. Culprit and victim. Paul is stuck in a world he wants no part of. Sacrifices are made and connections are severed. As his world collapses around him, Paul perseveres in his quest, unsure about his way forward, but increasingly feeling that there is no way for him to turn back.
5 Stars Seattle Book Review https://seattlebookreview.com/product/the-uncanny-valley/
Amazon Link – http://amzn.to/2rfCeGx
Probably one of the most controversial topics still in the book publishing industry is the idea of an author (or publicist) paying for a review of their book. It’s an offshoot of the self-publishing versus publishing industry argument that comes from the old vanity presses of the past.
A vanity press, for the younger readers, was a publishing company that would charge an author for the entire print run of a book. The publisher might make attempts to sell the book, but their profit had already been taken in the print run of the book (and sometimes ongoing storage fees of the unsold books). The publisher often kept rights to the book, provided little to no support (cover design, marketing, etc.), or charged excessive fees for those services. The books usually didn’t go through an approval or editing process, the only things required being a manuscript and the money to pay the publisher.
So, the stigma of the vanity press was a hold-over into the era of self-publishing. While many of the vanity press companies morphed into self-publishers, other companies truly did provide a cheap, effective way for an author to get a book into print and platforms to sell it to an audience apart from the traditional publishing route. And even with many self-publishing authors reaching best-seller status with their books, there still is, in the book industry, that same lingering stigma of the vanity press for self-publishers.
Leading from that is the issue of paying for reviews. As more print publications reduced or eliminated their book sections, the competition for authors and publishers to get attention for books escalated. So, in 2001, ForeWord Reviews launched Clarion Reviews, which charged a fee to provide a review for a book. From there, fee-for-review services popped up, and with the rise of Amazon, services that would provide as many 5-star reviews for your book or product as you could afford.
Over the years, paid review services have become more acceptable, though still controversial to some. Even Kirkus Reviews, the oldest book review service in the U.S., has a paid version for authors or publishers that can’t be reviewed through general submission. But the sigma of the vanity press has also rolled over into the fee-for-review programs. And in some cases, for good reason.
For every professional review company offering a neutral, professional review for a fee, there is another company offering a glowing 5-star review for a fee. While they couch their program in vague generalities about placing a book with the perfect reader or that they only release 4- and 5-star reviews, they’re really just going to write up a review guaranteed to make the author happy. Kirkus reviewers have always been anonymous, so they have the freedom to say what they think without potential retribution, and because fee-for-reviews isn’t the primary income stream for Kirkus, they also don’t need an author to be happy with a glowing review so they’ll come back with the next book the author writes.
Publisher’s Weekly moved away from their old PW Select program where self-published authors had to pay a fee to get a chance (25%) of a review, and now just charges authors for a database listing and some general promotion of their book within the PW and BookLife ecosystem.
One good sign if a review program is more “vanity” than “fee:” does the company review any other books or only books they’re paid to review? Much like the vanity publishers whose only business model was being paid by authors to publish their book, not sell the book to bookstores or the public for the author, vanity review services only review books they’ve been paid to review. That creates both the impression that they’re only in the business of providing “feel good” reviews for authors and getting them to come back book after book, but also reduces the credibility of the review to bookstores, libraries, and other readers.
Reasons to pay for a review:
1. It can get you that first review to kick-start your marketing and to give you something to include on your book cover and media kit (if you get the review done pre-publication).
2. You’re looking for an independent, critical look at your book, outside of your friends and family who have read it so far.
3. Your local newspaper or media outlets don’t do local book reviews (or any book reviews).
4. You need a professional book review (or several) to get your local bookstores or libraries to carry the book or set up a local author appearance for you.
Things to watch out for:
1. The fee-for-review service only reviews books they’ve been paid to review, or the majority of the books they review are paid reviews.
2. They don’t review books and authors you don’t recognize (all of the books reviewed are self-published or very small press).
3. Industry professionals recognize and recommend the service and don’t get a referral fee for sending business to them (not something easy to discover, but an important issue).
Make sure you get a review that is accurate, honest, and reflects a good general view of the book and isn’t a generic three-sentence review that could have been generated by reading the back cover or a couple of other reviews online.
The only companies that I can find that do more than just fee-for-review, i.e. the majority of the reviews done are not paid for by authors are (in order of when they began offering the service as far as I can tell):
Places that only review books for a fee:
1. Indie Reader
2. Self-Publishing Review
3. Blue Ink Reviews
(CNN)From Great Gatsby’s luxury estate to Count Dracula’s Transylvanian lair and Amelie Poulain’s tiny Parisian pad, the houses in which our favorite fictional characters reside are often inspired by real-life properties.
From the San Francisco Book Review:
There’s something about criminal stories that commands our attention. Maybe it’s the chance to look behind the curtain of illegality and see just how someone can manage to pull off a wild scheme. Maybe it’s the curiosity of wondering what goes through someone’s mind and brings them to commit actions the rest of us would never dream of. Whichever the case, the story of Alfonso “Fonso” Gravanese has all the elements needed to be a classic tale of American crime, and it spins out from a master storyteller.
Full Review Here – http://sanfranciscobookreview.com/product/salad-oil-king/
Get The Salad Oil King HERE
Hunger Saint is about Ntoni, a twelve-year-old boy forced to labor in Sicily’s sulfur mines to support his family after his father’s untimely death. These child laborers were called carusu or “mine-boy”, a labourer in a sulfur mine who worked next to a picuneri or pick-man, and carried raw ore from deep in the mine to the surface.
Seattle Book Review gave it 5 stars and a great review here – http://seattlebookreview.com/product/the-hunger-saint/
A historical story of child labor, but not from all that long ago.
Get the book here http://amzn.to/2pJjHOJ
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