LAST SONG AND DANCE is an illustrated novel which tells the grim story of Cy Sullivan, failed alcoholic author who has returned to his hometown after years of scandal and disgrace, not in triumph but simply to die. He has but a week to compose his great American novella, Curse of the Blue Nun which he structures in relation to the seven days of creation in the Book of Genesis. A surrealist bible of sorts–but unlike the original, this one does not purport to be true.
Stylistic influences/parodies run the gamut from biblical parables, Shakespeare to various 20th century modernists—Joyce, Faulkner, Samuel Beckett, William Burroughs etc as well as film noir, supernatural horror and even Fellini. I employed a number of voices ranging from erudite to jail house slang to hillbilly (my Kentucky voice) so it’s a veritable literary collage. The artist at Bookfuel did a great job with my visual designs which were primarily inspired from Gustave Dore although it concludes with a pastiche of Grant Wood’s American Gothic which is quite nice. While this all sounds rather heavy and artistically over the top, Last Song and Dance is very much a black comedy which takes nothing seriously including itself or its failed author. The LSD initials of the title are appropriate given the hallucinatory quality of much of the writing. I believe there is a potential cult audience but as of today, it’s only sold three copies and there is no browsing on these sales sites nor is it visually displayed on Bookfuel’s site which is primarily genre or non fiction/ self help that sort of thing so it’s a bit of an orphan as such…
Amazon Link – http://amzn.to/2BBqONP
San Francisco Book Review – 5 Stars
Christopher Woods has penned a curious yarn in the Last Song and Dance. The book is written in a unique style unlike any other. It addresses a chaotic set of contentious characters who dare to be noticed, each with an eagerness for confrontation. With wonderful black ink drawings that capture the mood of the characters of the story, the author paints an ominous narrative. Last Song can be compared to Sanctuary by Paul Monette for its imagery and imaginative style. Many of the illustrations feature symbolic references to the plot that add intrigue to the story, forcing you to reflect on the meaning of certain passages. Much of the narrative reads like dialogue, but conveys a meaning of reaching into the mind of the character. The storyline is complex, with a variety of characters who seem to share certain traits.
The storyline focuses on tested confrontations. Although these keep the reader busy, they add depth to the plot. It’s a little misdirected in places, giving the reader a chance to compare that part with other parts. This tends to function like a red herring in a mystery. You cannot tell if it’s a blooper or a ploy until you finish it. Sorry—no spoilers!
Christopher Woods does a fine job at depicting the characters with verbiage, the illustrations bringing them to life. The intricacy with which the characters are woven into the plot shows us only glimpses of what’s to come, kind of like a foreshadowing of events. The reader must do a lot of work to put the story together in his or her mind as he or she reads. This provides an overall aura of mystery, motivating the reader to keep turning the pages. And the text flows along fast, making it easy reading.
If you want to sit down and read something to contemplate and capture your attention, then you’ve come to the right work. Last Song kind of reads like a fairy tale or fable, yet some of the characters are using profanity that would not be appropriate for children under 18, and the characters appear to engage in behavior that would also not suit young readers.
Reviewed By: D. Wayne Dworsky